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One of the most celebrated manifestations of
Indian
architecture is to be found in a group of
temples at
Khajuraho in
central India. Indian architecture is sacred and thus always has a purpose
that is more important than mere aesthetic considerations.
These
temples, unlike many others in central or south India, do not illustrate a
development over a long period of time, but were erected over a relatively
narrow period of hundred years from 950 AD.
One important feature of these temples is that sculpture and architecture
blend into each other. The dividing line between them is totally blurred;
one cannot say where one ends and the other begins.
The temples at Khajuraho, where
form and function unite triumphantly, afford a glimpse into the celestial
abodes. The Khajuraho temples represent a unique amalgamation of religious
fervour, abundant patronage, artistic genius and aesthetic sensibility.
Fortunately, these temples have weathered the climate for a thousand years
and have withstood neglect surprisingly well.
The Khajuraho temples were built during the reign of the Chandelas. While
some show marks of a Shaivite sensibility, others clearly manifest the
influence of Vaishnaism, Jainism, and Tantrism. These temples have an
architectural character distinct from that of any other group of temples
elsewhere in the country. Unlike other temples, all the temples at
Khajuraho stand on high and solid masonry terraces. Though none of the
temples is very large, they are still imposing structures because of their
elegant proportions and rich surface sculpture.